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Francesca Rinaldi | Soprano
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She was born singing at the dawn of the summer solstice

The midwife had no doubt much to do that June 21, were born twins, but proved prophetic when he said, "was born opera singer." Francesca was not crying, singing!
Discovers the opera at 17, after hearing her sing in many pop and jazz counseled her to try studying opera singing. With admission to the Conservatory U. Giordano of Foggia falls in love the work and never left it.

A voice that can sing without scene or costumes

The meeting with Katia Ricciarelli Academy Mantovana marks the beginning of his career with the debut as Mimi in La Bohème by Puccinia in Bari and forge even more tenacious will to Francesca to continue studying to play and sing other roles .
"Sensitive and fair" defines Piera degli Esposti, director of Puccini's Suor Angelica for the Teatro Lirico Sperimentale di Spoleto.
Leo De Berardinis, director of Mozart's Don Giovanni at the Lyric Theatre, the role of Donna Elvira is renamed "Donna Francesca".
"A voice that can sing without scene or customs, in your voice is everything," said the Lamberto Puggelli, director of Un Ballo in Maschera by Verdi at the Teatro Regio in Parma, where Francesca sang Amelia.

The study reeards the audacity

The years of study voice and music have repeatedly awarded the audacity of debuts with a few days of testing for the last time as replacements for the Requiem Mass with Master Palleschi Politeama of Lecce, prepared in a single night, in roles he thought he could not deal with, such as Leonora Il Trovatore with Leo Nucci, after difficult roles of modern authors, Lost Lost for G. Baggiani directed by G. Pressburger, the Words of the Dark, directed by P. Furlani Piera Degli Esposti, shows where the singer is a real actor that you save not only to sing, plays with all his heart. Singular was the show Don Quixote directed Henning Brochkaus: stripped of all "poses soprano" the director asked her to sing as he ran on a long, steep staircase and then suspended to 3 meters high on a network circus. The passion for their craft really does exceed all limits.

But let her eyes blacks ...

The meeting with director Antonio Latella imparts a fundamental turning point in the career of Francesca, on the stage of the Sferisterio of Macerata Tosca sings a blonde. Forty days of practice and incessant musical actress. For the director, in the end, Francesca as it is Tosca: transparent emotions, jealous and passionate, spiritual. A total experience that will accomplish the latent desire for children up to reprise his role more fulfilling: the mother of Iris, a 'work, a masterpiece.

The passages television

Tosca increases the popularity of Francesca and RAI 1 invited her for two episodes of "Effetto Sabato".
Follow the Braille Award and an interview with Gigi Marzullo on Francesca da Rimini by Zandonai.

The need for spirituality

Monsignor Valentino Miserachs hear that in his voice there is so much spirituality, so much that he wanted to star in the International Festival of Sacred Music in the oratory "Paolo and Fruitful" in the Papal Basilica of St. Paul, and Stabat Mater by L. Refice recorded by Vatican Radio.
In the "Petite Messe Solennelle" with the Foundation Petruzzelli sings free from any purely lyrical effect to blend in Rossini's masterpiece.